André Giesemann
  • Works
    • —Entlang der Aussenposten
    • —Trabant
    • —You don´t need a weatherman...
    • —Props
    • —Vom Bleiben.
    • —var. Vom Bleiben
    • —Attrappe
    • —Fabrica
    • —Dunkle Kammer
    • —Am Morgen nach der Nacht
  • Info
  • Published
  • Contact

Works
Entlang der Aussenposten Trabant You don´t need a weatherman... Props Vom Bleiben. var. Vom Bleiben Attrappe Fabrica Dunkle Kammer Am Morgen nach der Nacht
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  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Golden Gate, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Dice Club, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    ://about blank, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Tresor Globus, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Brandshof, Hamburg

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Rechenzentrum, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Cocoon Club, Frankfurt/Main

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Baalsaal, Hamburg

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Golden Pudel Club, Hamburg

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Ego Club, Hamburg

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Kachelraum@Haus 73, Hamburg

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Maria am Ostbahnhof, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Neidklub, Hamburg

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Robert-Johnson, Offenbach

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    RAW-Tempel, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Tape Club, Berlin

  • Documentary Photography, Architecture Photography,
Techno Clubs, After party, Rave Culture, Electronic Music, Putzlicht

    Tresor, Berlin

  • Vom Bleiben. (What remains) in collaboration with Daniel Schulz, 2009-2013.

    This work documents the moment when the rave is over and the visitors have left the club.

    It´s the moment when the traces of the “night” become visible...

    As soon as the last visitors have left and the cleaning light has been switched on, we begin to photographically capture the current scene and atmosphere.

    The moment in these rooms before everything is put back in order, only exists for a short time and is only turned into an image by our presence and the camera.

    We artificially extend this moment with the long exposure time, as this moment of absolute emptiness and disorder only exists very rarely.

    We had set ourselves the task of documenting the often temporary existence or the emergence and disappearance of electronic music clubs over a certain period of time...



    „Life of the Party“
    by: Aaron Rothmann

    Giesemann’s series Vom Bleiben, a collaboration with photographer and industrial designer Daniel Schulz, shows empty nightclubs after the party has ended.

    With the house lights on and the people away, the photos reveal the shabby details that go unnoticed at night. These spaces are meant to be experienced bodily, not visually.

    What matters is the music, the social interaction, the flow of people. Under the harsh, fluorescent light of day, the camera captures none of that, except as a trace.

    These are mostly spartan spaces; they look like industrial basements or, in a couple of cases, parking garages, minimally retrofitted for the purpose.

    The one outlier shown here has swooping lines and a DJ booth resembling an octopus, an extravagance that may appeal to a certain crowd, but doesn’t fundamentally change the function of the space.

    The visual aesthetic and design varies, but it is always less important than the practical concern of making a space for people to come together.

    The fun of these photographs is analyzing the subtle differences and guessing exactly what goes on in each room — what kind of people come, what music is played, what is the experience like?